Sunday, 17 April 2011

Manchester United Knocked Out of the FA Cup

In the FA Cup Semi Final on 16th April 2011 Manchester United were beaten 1-0 by their rich, trophy-starved neighbours Manchester City in front of a packed Wembley stadium. A goal in the second half by Yaya Toure following an error by Michael Carrick was enough to give the blue half of Manchester another trip to Wembley in the final next month to play either Bolton or Stoke, who play later today in the other semi-final.

It was a bad day at the office for Man Utd. After a promising start in which Berbatov missed a couple of good chances, Man City grew more and more into the game and became stronger the longer it went on. In the middle of the field Yaya Toure put in a towering performance and strong defending by City ensured that Man Utd did not put in one of their typical late fightbacks for which they have been somewhat accustomed to doing this season.

Ole Gunnar Solskjaer celebrates after scoring the
winning goal in the 1999 Champions League Final
The final will certainly be an interesting one from the neutrals’ point of view as none of the so called “Big Four” clubs are competing. Man City haven’t won a trophy since 1976 and for Bolton and Stoke (whoever gets through) the wait has been much, much longer. That’s the magic of the FA Cup. That magic is still alive although many people criticise the fact that the semi-finals are now played at Wembley, in addition of course to the final. Years ago the magic of the cup was all about getting to Wembley. That isn’t as hard as it used to be. This weekend seems all the more ridiculous given that 4 teams from the north west are in the semis. However, as we know, it is all about generating revenue and the massive expense of re-building Wembley must be paid for.

At Modern Canvas Art we have a strong allegiance to a British club (but we are not saying which!) All we will say is that they are of course by the far best team the world has ever seen and what a shame they are not in the final in May. For Manchester Utd fans, they still have the Premiership and the Champions League well within their grasp so it doesn’t look like being too bad a season for them if they pick up either or even both.

Modern Canvas Art have some cracking Manchester Utd pop art canvas prints and canvas paintings showing past great players and glories. Take a look at this classic George Best canvas print for example. Our canvas art prints and pop art paintings really are second to none.  Order one and we guarantee you won’t be disappointed.

Saturday, 16 April 2011

Everybody Loves a Doughnut

Doughnut Canvas Print from Modern Canvas Art

A doughnut or donut (as it is spelt in the US) is a fried dough food and is universally popular. They are usually sweet and deep-fried from a flour dough, shaped in rings or flattened spheres that sometimes contain fillings. Other types of dough such as potato can also be used as well as other batters. Various toppings and flavorings are used for different types of “filled” doughnuts. I would have to say that the Krispy Kreme doughnuts are my favourite but if you eat too many then you will certainly pile on the pounds.

According to the Guinness Book of World Records, the record for doughnut eating is held by a man named John Haight, who consumed 52 ounces of donuts (about 26 average doughnuts) in just over six minutes in 1981. Just plain crazy, some people.

The largest doughnut ever made was an American-style “jelly” doughnut which weighed 1.7 tonnes and measured 4.9 m (16 ft) in diameter and was 40.6cm (16in) high in the centre. It was made in Utica, New York, USA on January 21, 1993. No doubt John Haight scoffed it when nobody was looking.

At Modern Canvas Art we are partial to the odd doughnut during breaks from producing our pop art prints and canvas paintings. To celebrate the doughnut, we created this Doughnut Canvas Print which we think is quite funky and would look great in a kitchen or children’s bedroom.  Take a look at Modern Canvas Art and check out our fantastic canvas prints. Oh – and take a look at one of our Banksy canvas prints featuring – yes – a doughnut.

Monday, 11 June 2007

All Our Paintings Just £99 !!!!!

For a limited period, all the paintings on the Modern Canvas Art website are just £99 - delivered FREE in the UK

You just cannot get better quality at that price !!!

Remember - all of our artworks are created from scratch by hand on a blank canvas. It is as basic as that. Our artists are highly skilled and experienced and are carefully chosen by us.

We also offer a FULL MONEY BACK GUARANTEE on all our works as we are so confident they are the best money can buy. Each and every one is a truly gallery-quality piece of art at a silly price.

So check us out now. Perhaps you are thinking about re-decorating your room, or how about a nice new picture to brighten up your dull office or other workplace ?

At Modern Canvas Art, you've found what you've been looking for.

Wednesday, 6 June 2007

Bullitt Car Chase

The car chase in the 1968 Steve McQueen "Bullitt" is the longest in movie history.

We have immortalised it somewhat at Modern Canvas Art, so much so that there is a bit of a choice when it comes to choosing some "Bullitt" art for your wall. Bullitt is without doubt one of the coolest films ever made and it makes for some great pop art. We've got a great selection of movie pop art prints and paintings for you to choose from on this theme.

The famous chase sequence from Bullitt was voted the best car chase in film history in a poll of 5,500 British film buffs. The rest of the top five were #2) Gone in 60 Seconds (1974), #3) The French Connection (1971), #4) Ronin (1998), and #5) The Italian Job (1969).

Two 1968 390 GT V8 Ford Mustangs (325 bhp) and two 1968 V8 Dodge Chargers (375 bhp) were used for the chase scene. Both Mustangs were owned by Ford Motor Company and were part of a promotional loan agreement with Warner Bros. The Mustangs engines, brakes and suspensions were highly modified for the chase by veteran car racer Max Balchowsky. The Dodge Chargers were bought outright from Glendale Dodge in Glendale, California. The engines in both Chargers were left largely unmodified, but the suspensions were upgraded to cope with the demands of the stunt work.

Though it is widely believed that Steve McQueen—an accomplished driver—did the bulk of the driving stunt work, the stunt coordinator, Carey Loftin, had famed stuntman and motorcycle racer Bud Ekins do most of the risky stunts in the Mustang (Ekins also doubled for McQueen in one sequence of The Great Escape, in which McQueen's character jumps over a barbed wire fence on a motorcycle). The Mustang’s interior rearview mirror goes up and down depending on who is driving. When the mirror is up (visible) McQueen is behind the wheel, and when it is down (not visible) Ekin is in the car.

The director called for speeds of about 75 to 80 mph (120 to 130 km/h), but the cars (including the ones containing the cameras) reached speeds of over 110 mph (175 km/h) on surface streets. Filming of the chase scene took three weeks, resulting in 9 minutes and 42 seconds of film. During the chase scene, the Charger loses six hubcaps and has different ones missing at different times. The production company was denied permission to film on the Golden Gate Bridge.

Now watch the car chase below - all 9 minutes 28 seconds of it - and don't forget to check out our pop art !


Tuesday, 5 June 2007

The Life of Bruce Lee


Immortalised in this picture available for purchase from Modern Canvas Art, the following is an abridged summary of the life of Bruce Lee, taken from Wikipedia.


Bruce Lee (Traditional Chinese: 李小龍; Simplified Chinese: 李小龙; Pinyin: Lǐ Xiǎolóng; Cantonese Yale: Léih Síulùhng; November 27, 1940 – July 20, 1973) was an American martial artist, philosopher, instructor, and martial arts actor widely regarded as the most influential martial artist of the twentieth century.

Lee is iconic for his presentation of Chinese martial arts to the non-Chinese world. His films, especially the Hollywood-produced Enter the Dragon, elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, and sparked the first major surge of interest in Chinese martial arts in the West. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong, China, and the rest of the world. Lee became an iconic figure particularly to Chinese; as he portrayed Chinese national pride and Chinese nationalism in his movies.[1] Many see Lee as a model blueprint for acquiring a strong and efficient body, as well as developing a mastery of martial arts and hand to hand combat skills.

Early life

Lee was born at the Chinese Hospital in San Francisco to a Chinese family.[2] His father, Lee Hoi-Chuen (李海泉), was Chinese, and his Catholic mother, Grace (何愛瑜), had a half German and half Chinese father and a Chinese mother.

Education and family

At age 12, Lee entered La Salle College, a high school, under the wing of Brother Henry. Then, he attended St Francis Xavier's College. In 1959, Lee got into a fight with a feared Triad gang member's son. His father became concerned about young Bruce's safety, and as a result, he and his wife decided to send Bruce to the United States to live with an old friend of his father's. All he had was $100 in his pocket and the title of 1958 Crown Colony Cha Cha Champion of Hong Kong. After living in San Francisco, he moved to Seattle to work for Ruby Chow, another friend of his father's. In 1959, Lee completed his high school education in Seattle and received his diploma from Edison Technical School. He enrolled at the University of Washington as a philosophy major. It was at the University of Washington that he met his future wife Linda Emery, whom he would marry in 1964. He had two children with Linda, Brandon Lee (born 1965) and Shannon Lee (born 1969). Brandon, who would also become an actor like his father, died in an accident during the filming of The Crow in 1993.

Acting career

Lee's father, Lee Hoi-Chuen, was a famous Cantonese Opera star. Through his father he was introduced into films at a very young age and appeared in several short black-and-white films as a child.

In the 1960s Lee attempted to start his acting career in America. He became famous for playing Kato alongside Van Williams in the TV series The Green Hornet which lasted for only one season from 1966 to 1967. He also played Kato in three episodes of the series Batman which was also produced by the same people of The Green Hornet. This was followed by guest appearances in television series such as Ironside (1967) and Here Come the Brides (1969). In 1969 he made his first major film appearance in Marlowe where he played a henchman hired to intimidate private detective Philip Marlowe (played by James Garner) by smashing up his office with karate chops and kicks. In 1971 he appeared in four episodes of the television series Longstreet as the martial arts instructor of the title character Mike Longsteet (played by James Franciscus)

Not happy with the roles that he was being offered in America, Lee then returned to Hong Kong and was offered a film contract by Raymond Chow to appear in films produced by his company Golden Harvest. He played his first leading role in The Big Boss (1971) which was a huge box office success all over Asia and catapulted him to stardom. He went on to star in Fist of Fury (1972) which was an even bigger success at the box office and wrote, directed and starred in Way of the Dragon (1972). In 1964 at a demonstration in Long Beach, California, Lee met Karate champion Chuck Norris. In Way of the Dragon Lee introduced Chuck Norris as his opponent in the final fight scene at the colosseum in Rome which is considered to be one of his most famous fight scenes. He was then offered the lead role in Enter the Dragon (1973) which was the first to be produced jointly by a Chinese and American studio. This was to be the film that would have shot Lee to fame in America. Tragically Lee mysteriously died two weeks before the film was released. Enter the Dragon went on to become one of the highest grossing films of the year and cemented Lee's status as a martial arts legend. It was made for US$850,000 in 1973 ($3.74 million in 2005 currency). [10] To date, Enter the Dragon has grossed over $200 million worldwide. The movie sparked a brief fad in the martial-arts epitomized in songs like Kung Fu Fighting and TV shows like Kung Fu.

Robert Clouse, the director of Enter the Dragon attempted to finish Lee's incomplete film Game of Death which Lee had intended to also write and direct. Lee had shot over 40 minutes of footage for Game of Death before shooting was stopped to allow him to work on Enter the Dragon. Kareem Abdul-Jabbar, a student of Bruce Lee also appeared in the film. In the film, Lee played Billy Lo who while wearing the now famous yellow track suit, took on the 7 foot 2 giant basketball player in a climactic fight scene. Unfortunately, Lee had died before he was due to resume filming for Game of Death. Robert Clouse finished the film using a Bruce Lee look-alike and archive footage of Lee from his other films and released it in 1978 with a new storyline and cast. However it only contained 15 minutes of the actual footage Lee had shot and the rest of the film had Lee's lookalike Tai Chung Kim playing Billy Lo and Yuen Biao acting as a stunt double. The unused footage Lee had filmed was recovered 22 years later and was included in the Bruce Lee documentary Bruce Lee: A Warrior's Journey.

Martial arts training and development

Young Bruce learned the fundamentals of Wu style Tai Chi Chuan from his father, Lee Hoi Cheun.[citation needed] Lee's Wing Chun sifu, Yip Man, was also a colleague and friend of Hong Kong Wu family teacher Wu Ta-ch'i. He always held that the principles of Tai Chi Chuan influenced his view of martial arts all through his life as an actor and a martial artist. While it is obvious that the style studied by his father was the Wu style, Lee was seen on at least one occasion demonstrating the 108 Basic Movements of the Yang form.

Lee started training in Wing Chun at the age of 14 under Hong Kong Wing Chun master Yip Man. Lee was introduced to Yip Man in early 1954 by William Cheung, then a live-in student of Yip Man. Like most martial arts schools at that time, Sifu Yip Man's classes were often taught by the highest ranking students. One of the highest ranking students under Yip Man at the time of Lee's training was Wong Shun-leung, who is understood to have had the largest influence. Yip Man trained Lee privately after some students refused to train with Lee due to his ancestry.[12] Lee would leave before learning the entire Wing Chun curriculum, but Wing Chun formed a base for his later explorations of martial arts.

In between the learning of Tai Chi and Wing Chun, Lee also learned bits and pieces of the Hung Gar style from a friend of his father.[citation needed] There are photographs and videos of Bruce demonstrating animal stances and forms found within its teachings.

Lee was also trained with weapons by the renowned Martial artist Fumio Demura, the head of the Shito Ryu martial arts style.

Physical fitness

Bruce Lee felt that many martial artists of his day did not spend enough time on physical conditioning. Bruce included all elements of total fitness, muscular strength, muscular endurance, cardiovascular endurance, and flexibility. He tried traditional bodybuilding techniques to build bulky muscles or mass. In his book The Tao of Jeet Kune Do, he wrote "Training is one of the most neglected phases of athletics. Too much time is given to the development of skill and too little to the development of the individual for participation." "JKD, ultimately is not a matter of petty techniques but of highly developed spirituality and physique".

The weight training program that Lee used during a stay in Hong Kong in 1965 at only 24 years old placed heavy emphasis on his arms. At that time he could perform bicep curls at a weight of 70 to 80 lbs for three sets of eight repetitions, along with other forms of exercises, such as squats, push-ups, reverse curls, concentration curls, French presses, and both wrist curls and reverse wrist curls. The repetitions he performed were 6 to 12 reps (at the time). While this method of training targeted his fast and slow twitch muscles, it later resulted in weight gain or muscle mass, placing Bruce a little over 165 lbs. Bruce Lee was documented as having well over 2,500 books in his own personal library, and eventually concluded that "A stronger muscle, is a bigger muscle". However, Bruce forever experimented with his training routines to maximize his physical abilities. He employed many different routines and exercises, which effectively served his training and bodybuilding purposes.[17]

Lee believed that the abdominal muscles were one of the most important muscle groups for a martial artist, since virtually every movement requires some degree of abdominal work. Perhaps more importantly, the "abs" are like a shell, protecting the ribs and vital organs.

He trained from 7 a.m. to 9 a.m., including stomach, flexibility, and running, and from 11 a.m. to 12 p.m. he would weight train and cyce. A typical exercise for Lee would be to run a distance of two to six miles in 15 to 45 minutes, in which he would vary speed in 3-5 minute intervals. Lee would then ride his stationary bicycle for 30-45 minutes at full speed immediately after running. Next, Lee would do some skipping rope for 800 jumps non-stop.

Nutrition

According to Linda Lee, soon after he moved to the United States, Bruce Lee started to take nutrition seriously and developed an interest in health foods, high-protein drinks and vitamin and mineral supplements. Bruce later realized that in order to achieve a high-performance body, you could not fuel it with a diet of junk food. With the wrong fuel, your body's performance would become sluggish or sloppy. Lee's diet included protein drinks; he always tried to consume one or two daily.

Linda recalls Bruce's waist fluctuated between 26 and 28 inches. "He also drank his own juice concoctions made from vegetables and fruits, apples, celery, carrots and so on, prepared in an electric blender". He consumed large amount of green vegetables, fruits, and fresh milk everyday. Bruce always preferred to eat Chinese or other Asian food because he loved the variety that it had.

Philosophy

Although Bruce Lee is best known as a martial artist and actor, Lee majored in philosophy at the University of Washington. Lee's books on martial arts and fighting philosophy are well-known both for their philosophical assertions both inside and outside of martial arts circles. His philosophy often mirrored his fighting beliefs, though he was quick to claim that his martial arts were solely a metaphor for such teachings. His influences include Taoism and Buddhism.

The following are some of Bruce Lee's quotes that reflect his fighting philosophy.

"If I tell you I'm good, you would probably think I'm boasting. If I tell you I'm no good, you know I'm lying."

"Fighting is not something sought after, yet it is something that seeks you."

"Be formless... shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle; it becomes the bottle. You put it into a teapot; it becomes the teapot. Water can flow, and it can crash. Be like water, my friend..."

"Use only that which works, and take it from any place you can find it."

"The more relaxed the muscles are, the more energy can flow through the body. Using muscular tensions to try to 'do' the punch or attempting to use brute force to knock someone over will only work to opposite effect."

"Mere technical knowledge is only the beginning of Kung Fu. To master it, one must enter into the spirit of it."

"There are lots of guys around the world that are lazy. They have big fat guts. They talk about chi power and things they can do, but don't believe it."

"I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket."

"Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there."

Death by "misadventure"

On July 20, 1973, Lee was in Hong Kong, due to have dinner with former James Bond star George Lazenby, with whom he intended to make a film. According to Lee's wife Linda, Lee met producer Raymond Chow at 2 p.m. at home to discuss the making of the movie Game of Death. They worked until 4 p.m. and then drove together to the home of Lee's colleague Betty Ting Pei, a Taiwanese actress who was to have a leading role in the film. The three went over the script at her home, and then Chow left to attend a dinner meeting.

A short time later, Lee complained of a headache, and Ting Pei gave him an analgesic. At around 7:30 p.m., he laid down for a nap. After Lee did not turn up for dinner, Chow came to the apartment but could not wake Lee up. A doctor was summoned, who spent ten minutes attempting to revive him before sending him by ambulance to Queen Elizabeth Hospital. However, Lee was dead by the time he reached the hospital. There was no visible external injury; however, his brain had swollen considerably, from 1,400 to 1,575 grams (a 13% increase). Lee was thirty-two years old. On October 15, 2005, Chow stated in an interview that Lee was allergic to Equagesic. When the doctors announced Bruce Lee's death officially, it was coined as "Death by Misadventure."

Another theory is that he died from an allergic reaction to marijuana, which he was consuming at the time in hashish form.[25] This is controversial, but it is confirmed that the coroner did find traces of the substance during his autopsy.

However, the exact details of Lee's death are controversial. Bruce Lee's iconic status and unusual death at a young age led many people to develop many theories about his death. Such theories about his death included murder involving the triads, a curse on Lee and his family, etc. The theory of the curse carried over to Lee's son Brandon Lee, also an actor, who died 20 years after his father in a bizarre accident while filming The Crow.

The grave site of Bruce Lee and his son, BrandonUpon his death his wife, Linda, returned to her home town of Seattle and had Bruce buried at lot 276 of Lakeview Cemetery. His son Brandon is buried beside him. Pallbearers at his funeral on July 31, 1973 included Steve McQueen, James Coburn, Dan Inosanto, Taky Kimura, Peter Chin, and his brother, Robert Lee. To this day, over 30 years after his death, fresh flowers are found on his gravestone every day.

Tom Bleeker, ex-husband of Linda Lee Cadwell (Bruce's widow) wrote a Book entitled "Unsettled Matters" which claimed that Bruce had used steroids in his lifetime. Bleeker offered a $25,000 reward for anyone who could confirm his findings in his book. To this day, no one has challenged the claim or collected the cash reward.

Sunday, 3 June 2007

Pop Art Exhibition Announced at National Portrait Gallery

A new exhibition of Pop Art will reunite several important paintings originally shown in a tribute to Marilyn Monroe 40 years ago.

The National Portrait Gallery is bringing together the works that formed part of the exhibition celebrating the actress, held at the Sidney Janis Gallery in New York in 1967.

The Hollywood star died in 1962 but a combination of her fame and troubled life made her a pin-up girl for the Pop Art movement, with its fascination for the lives of the famous. The new show, Pop Art Portraits, will feature the famous Marilyn screenprint series by Andy Warhol, one of several artists who commemorated Monroe in his work.

There will also be works by Richard Hamilton, Richard Smith and Robert Indiana that appeared in the New York tribute.

Pop Art is a perennial favourite and has been the subject of many exhibitions but the National Portrait Gallery show will be the first to explore the role and significance of portraiture within the genre.

In all, it brings together 52 works, also including ones by American artists such as Robert Rauschenberg, Jasper Johns and Roy Lichtenstein and Britons including David Hockney, Patrick Caulfield and Peter Blake. It was Blake who incorporated many famous faces into his cover for the Beatles' 1967 album Sgt Pepper's Lonely Hearts Club Band.

Other highlights will include some of the earliest Pop Art experiments in Ray Johnson's portraits of James Dean and some of Warhol's Screen Tests for which visitors to his Factory studio were seated in front of a camera and filmed. Sitters included Bob Dylan and New York poet Allen Ginsberg.

Sandy Nairne, the National Portrait Gallery's director, said: "Pop Art Portraits creates an exciting opportunity to see an important art movement in a new light. The portrait is recreated through the work of these artists."

The exhibition, sponsored by Lehman Brothers, will run from 11 October until 20 January next year. Other exhibitions at the venue in the coming year include one dedicated to celebrating the diversity of London. Four Corners (until 5 August) is being produced in partnership with galleries across the capital to represent the pride people feel for their part of the city.

Thursday, 31 May 2007

A Brief History of Pop Art in Britain & America


This is an article I put together last week which gives the lowdown on the beginnings of pop art:

"After the Second World War there followed a huge transitional period across Europe and the United States. Major reconstruction was the order of the day across Europe and, slowly, an increasing prosperity and abundance was enjoyed by the populous in these territories. It was the dawn of a new era, but it wasn’t until the 1960s that the emerging "consumer" society gave rise to a demand in goods that were simply unobtainable until then.

British pop art can trace its roots back to the mid 1950s. A small independent group comprising notable artists at that time together with critics in the art world put together an exhibition which was held at the Whitechapel Art Gallery in 1956. This exhibition was a focus on the topic of cheap consumer products and the role that they played in modern life. Although it didn’t seem like it then, the exhibition was a major step forward in the art world and a huge departure from what had gone before it. The erstwhile critic, Lawrence Alloway (1926-1992) hailed it as the birth of something new and in 1958 he christened this distinctive style of art as "Pop Art".

Key figures in the British pop art scene that followed were Richard Hamilton (b. 1922) whose work depicted cars, pin-up models and electric appliances, amongst others. Peter Blake (b. 1932), on the other hand, concentrated on comic strips and pop singers while the magazine collector Eduardo Paolozzi (b. 1924) produced impressive collage prints by recycling and integrating old advertisement material with comic-strip images.

As for the US, during the 1950s the art world was dominated by "Abstract Expressionism". It was until the early 1960s when art critics and American artists alike began to embrace Pop Art and give this new style of art their own inimitable American "take". In 1962, an exhibition entitled "New Realists" was held at the Sidney Janis Gallery in New York. This was ground-breaking in America, not least because the exhibition featured work from artists including Andy Warhol (1928-1987), Roy Lichtenstein (1923-1997), Claes Oldenburg (b. 1929), Jim Dine (b. 1935) and James Rosenquist (b. 1933). Of these, Warhol, Lichtenstein and Oldenburg went on to become key figures on the pop art world. Warhol became a household name.

Indeed, Warhol’s fame elevated in 1962 after his "Campbell’s Soup Cans" work was produced and featured in separate works - firstly as individual "cans" and then the same cans aligned in immaculate rows. Marilyn Monroe and Jackie Kennedy, possibly the biggest 60s female icons at the time, were also given the "Warhol treatment" in which he silk screened their images, altered the colours and reproduced them in repeated patterns.

Roy Lichtenstein was very much a "comic-strip" artist and produced masses of works using imagery from comics. Starting out in 1960, he painted vastly-inflated images of comic-strip frames formed from the dots of colour newsprint. During the same year, Oldenburg set about carving his own niche in the pop art world, creating large, painted plaster sculptures of sandwiches and cakes ! These were soon followed by huge plastic appliances that were softened to allow them to give a distinctive "droop". All of it was designed explore the nature of "consumer culture" that was sweeping the nations on both sides of the Atlantic.

With mass consumer commercialism on the rise at an alarming pace (and seemingly with no end in sight) "Pop Art" remains very much alive and is perhaps even more poignant and thought-provoking today as it was even in the mid twentieth century."